So, I guess this is a little anticlimactic, only because I didn't plan things very well. But considering it's the first time I've done it, I've been a little too scatterbrained to do it properly, what, with all the research, networking, reading of fine print, re-reading the MS 42 times to look for errant commas, etc. HOWEVER, my Tweeps are setting me straight (thanks, Angeline, Heather, Evelyn, and Tiffany!), and I am making notes so that next time--which will be sometime this fall, me thinks--I'll do it right.
Without further ado, Sleight: Book One of the AVRA-K is now available on Amazon and Smashwords. A print version will be available soon, and as such, I will do another blast of marketing when folks can get their hands on a physical copy of the Precious.
Just a quick tutorial: SMASHWORDS is an amazing site that offers the book in multiple formats. Here's a screenshot from the site:
If you have a Kobo or a Nook or Sony ereader, you can download the ePub format. If you have Kindle for PC/Mac, you can download the Kindle format here, or from Amazon, of course. If you want to read on your computer, there is a PDF, doc, and plain text version (those look a little more squished together, but the words are intact). A version WILL be available for iPad via the Apple iBookstore, but it will take a little longer. In the meantime, I'm told there is an app for iPad from Kindle, so check it out. These formats are CRAZY! Now you won't feel like you're left out of the loop if you want to download and read it but you're lacking a Kindle. And like I said, I will pimp the hell out of the print copy, as soon as those happen. Stay tuned.
I did get the book out to reviewers (nine so far!), so that's good. (Want a review copy? Comment below and we'll chat!) My mom bought her copy this morning--my FIRST sale--after months of wanting to know when she was going to be able to read it. The Kindle has revolutionized everything. It was really a lot of fun to call her in California at 8 a.m. and say, "Hey, Ma. The book is up. It started appearing on Amazon around 2 am. Sweet!" We squee'd a little after she downloaded it wirelessly onto the Kindle (amazing!), and then she handed the phone to my dad and sister while she read the first five pages (she reads like a fiend), and then they all told me how awesome I am. Folks & baby sisters are so good for that. Well, mine are. Maybe not yours. Sorry if your people are evil. Send me an email and I'll send you my shrink's name/number.
IN THE MEANTIME, TONIGHT we're having a party on Twitter. Starts around 6 pm PST, and the hashtag'd keyword to start following is #TGNO (Twitter Girls' Night Out). The info is HERE, from Angeline Kace's blog (BTW, GO to her blog and help her pick the new cover for her book!):
Thanks for the support, all of yous...now go buy a book and ensure that Book 2 will get finished.
OH! And I'm going to be arranging guest posts around the blogosphere. Angeline is going to help me put together a giveaway of some sort, I think, eventually, but in the meantime, I'll be haunting other people's blogs -- so STAY TUNED. If you're looking for GUEST POSTS, drop me a line.
ONE LAST THING: If you find TYPOS, I want to know. Heather has already emailed with one she found in Chapter 4, and I will be compiling a list to send to the formatter to get things fixed. I WANT TO KNOW. You won't hurt my feelings. I'm a copy editor, yeah, but this is my work. I've looked at it so much, it's going to happen, for sure.
Over and out, babes.
Showing posts with label Twitter. Show all posts
Showing posts with label Twitter. Show all posts
Friday, March 25, 2011
Wednesday, March 9, 2011
On word repetition, stuff that makes your ass go funny, and tattoos
My focus needs focusing.
You know why? Because I'm drinking a diet Coke that has been sitting on my desk for three days. I can't stop checking Twitter to see if anyone's mentioned me for #WW (Writer Wednesday) because I am just that needy, and because I used the word "focus" or some variant of it thirty-four times in my manuscript. Freaking THIRTY-FOUR times. (Granted, there are 119,000 words, so it's a frequency of only 0.000285%, but still. Thirty-four? Annoying as hell.) It's a sign. I need some focus.
My best friend is from South Africa. She says funny things, with her funny accent that for the life of me I cannot replicate, and she paints beautiful paintings. One of the more notable things she says: "Ohhh, that just made my ass go funny." She might say it if I tell her I just saw a cat get run over by a car (which I did), or if I tell her about smashing my finger in the door (done that), or if I tell her about these photos I saw online of this guy's leg after he had most of the flesh of his calf removed due to a terrible bout of flesh-eating Strep. You get what she's saying -- and your ass really does go funny when those images, those thoughts of "omigod" enter your brain. Right? (Maybe you're tougher than we are. My best friend is sorta squeamish, and it is rather like a party trick to say things that will make her blurt out, "Oooh, you just made my ahss go funneh." That's what her accent sounds like.)
There is definitely something making my ass go funny today: my manuscript is due at the formatter bright and early tomorrow morning. Omigod, you mean all this talk about turning this into a book is really going to happen? You mean, I'm going to be like the folks who have literally taken me under their wings in the last two weeks and pushed my Twitter followers into the triple digits, like Heather Hildenbrand and Megg Jensen and Angelina Kace and Tiffany King and Angela Carlie and Ashley Bray and Kara Helen, writers who have crossed over and are now called authors? Did you know there's a difference? Writers write. Authors publish. I'm freaking out a little, hence the lack of focus, and every time I think about the MS coming back to me in its finished form--yup, you guessed it. My ahss goes funneh.
So...yeah...after I wrote the post the other day about being afraid of stuff, I started to obsess (I do that) about another big milestone happening this year. I'm sorta turning...40. When I was in my twenties, I went through a divorce. I moved in with my parents, my then-3-month-old daughter in tow, until I could get my bearings, go back to school, get a job, all that. The woman across the street (super weirdo lady) had a bumper sticker on her crappy car that read "39 Forever." And guess what? She died. At 39. So she really was going to be 39 forever. I'm careful not to say stuff about not wanting to turn 40, because then I might jinx it and maybe I really won't make it to 40.
For my 37th birthday, I got a tattoo--William Shakespeare's autograph on my right forearm.
It's bad-ass. You can say it. The neighbor said I was having a midlife crisis and wanted to know if my husband was offended that I had another man's name inked forever into my flesh. Considering he paid for it and held my other hand while the needle scraped its way into my tender cells, I'm guessing he wasn't offended.
For my 39th birthday, I got another tattoo. This time, it's Joan of Arc's signature:
(Her name in French = Jehanne.) I'm fully protected now. I have creativity flowing through my writing arm, and courage streaming through my punching arm. (Okay, that's a lie. I punch right-handed. And I'm a weenie, so it's usually me getting punched. If there's a fight. Which there hasn't been since I was, like, 12, when Scott T. turned my sister's wheelchair off mid-ramp and she tipped backwards and struck her head on the asphalt. I punched him then. But I'm prepared nevertheless...oh! There was that one time when my step-sister chased me through the house with a rolling pin because I wouldn't stop making fun of her boobies, but let's leave that one alone. In case she's reading. Shout out to Sandi and her boobies!)
Maybe the tattoos are part of some lame midlife crisis. Maybe the desire to publish my book fits in there, too. I'm not getting any younger. And waiting for NYC to validate my existence is not helping the cause. I have to remind myself that this last year in the query trenches has not necessarily been a waste. I started querying a year ago Easter. Easter Sunday, in fact. The first one went out to Daniel Lazar at Writer's House. He answered me back in two hours and asked for the full. He read it, passed on it, told me to rewrite a few things, and then he'd reconsider. So I did just that, but I rushed it. I should've waited a month and brought in more beta readers/critique partners, but I didn't. I was panicking. I gave the MS another go-through, changed a ton of stuff, and then resubmitted. And he shook his head no again. Devastating. I think that one cost me two days hiding under the covers.
Things went on like this for the whole year. Suzie Townsend asked for a full (and I love her, so that was big). Then she said no. It sat at Random House Canada for three months, and I had high hopes because some important decision makers were reading it, one of whom told me that they liked it so far and were going to take it to the editorial committee. Then the rejection came in on December 12, and it stopped my life. Catastrophic is the best way to describe what it did to me. The kids tiptoed around me. Husband made pancakes. My youngest (6) wrote me a note that said I was the "best writer in the whole wide wrold," typo included.
A few other agents have asked for fulls, and partials, but most haven't bothered responding with even a thanks-but-no-thanks, the last of whom was just in February, an agent from Toronto. I was getting better at hearing no--not great at it, but better--when I started to consider the unthinkable: publishing it myself.
I don't know if you guys do this -- tell me if you do so I don't feel like the last kicker to be chosen for the dodgeball team, as per usual -- but writing anything can be very difficult if you slip into the mindset of No one's ever going to read this, so what's the point? My artist friends tell me that you write/paint/sculpt because you have to, because not doing it will eat you alive. Okay, so fine, yeah, writing keeps my Prozac dose lower, but moving forward with a project that is dead in the water? It sucks. NOW I feel energized, like there is something to write for, that I have to finish Book Two (and Three?) because someone might want it. Maybe. The point is, there now exists "hope" where before there was only "no."
I've stopped shopping for that perfect pen to use at book signings, stopped worrying about dyeing those new gray-ish hairs so people won't snicker at me being almost 40, and that energy has been redirected into where it should've been all along: in the words. Oh, and on Twitter.
I won't go on ad nauseum, but the thought of having the work out there is definitely making my ass go funny. And yet, I'm confident that the new contacts, dare I call them friends, I've made in this incredible community of writers and authors will make the transition easier, even if the book tanks.
And that, my friends, is enough to pull any sorry suck outta bed every morning. Now I'm going to go finish this flat diet Coke so I can hack at the word "focus" and send my baby for its day at the formatter. Tweep me: @JennSommersby.
You know why? Because I'm drinking a diet Coke that has been sitting on my desk for three days. I can't stop checking Twitter to see if anyone's mentioned me for #WW (Writer Wednesday) because I am just that needy, and because I used the word "focus" or some variant of it thirty-four times in my manuscript. Freaking THIRTY-FOUR times. (Granted, there are 119,000 words, so it's a frequency of only 0.000285%, but still. Thirty-four? Annoying as hell.) It's a sign. I need some focus.
My best friend is from South Africa. She says funny things, with her funny accent that for the life of me I cannot replicate, and she paints beautiful paintings. One of the more notable things she says: "Ohhh, that just made my ass go funny." She might say it if I tell her I just saw a cat get run over by a car (which I did), or if I tell her about smashing my finger in the door (done that), or if I tell her about these photos I saw online of this guy's leg after he had most of the flesh of his calf removed due to a terrible bout of flesh-eating Strep. You get what she's saying -- and your ass really does go funny when those images, those thoughts of "omigod" enter your brain. Right? (Maybe you're tougher than we are. My best friend is sorta squeamish, and it is rather like a party trick to say things that will make her blurt out, "Oooh, you just made my ahss go funneh." That's what her accent sounds like.)
There is definitely something making my ass go funny today: my manuscript is due at the formatter bright and early tomorrow morning. Omigod, you mean all this talk about turning this into a book is really going to happen? You mean, I'm going to be like the folks who have literally taken me under their wings in the last two weeks and pushed my Twitter followers into the triple digits, like Heather Hildenbrand and Megg Jensen and Angelina Kace and Tiffany King and Angela Carlie and Ashley Bray and Kara Helen, writers who have crossed over and are now called authors? Did you know there's a difference? Writers write. Authors publish. I'm freaking out a little, hence the lack of focus, and every time I think about the MS coming back to me in its finished form--yup, you guessed it. My ahss goes funneh.
So...yeah...after I wrote the post the other day about being afraid of stuff, I started to obsess (I do that) about another big milestone happening this year. I'm sorta turning...40. When I was in my twenties, I went through a divorce. I moved in with my parents, my then-3-month-old daughter in tow, until I could get my bearings, go back to school, get a job, all that. The woman across the street (super weirdo lady) had a bumper sticker on her crappy car that read "39 Forever." And guess what? She died. At 39. So she really was going to be 39 forever. I'm careful not to say stuff about not wanting to turn 40, because then I might jinx it and maybe I really won't make it to 40.
For my 37th birthday, I got a tattoo--William Shakespeare's autograph on my right forearm.
It's bad-ass. You can say it. The neighbor said I was having a midlife crisis and wanted to know if my husband was offended that I had another man's name inked forever into my flesh. Considering he paid for it and held my other hand while the needle scraped its way into my tender cells, I'm guessing he wasn't offended.
For my 39th birthday, I got another tattoo. This time, it's Joan of Arc's signature:
(Her name in French = Jehanne.) I'm fully protected now. I have creativity flowing through my writing arm, and courage streaming through my punching arm. (Okay, that's a lie. I punch right-handed. And I'm a weenie, so it's usually me getting punched. If there's a fight. Which there hasn't been since I was, like, 12, when Scott T. turned my sister's wheelchair off mid-ramp and she tipped backwards and struck her head on the asphalt. I punched him then. But I'm prepared nevertheless...oh! There was that one time when my step-sister chased me through the house with a rolling pin because I wouldn't stop making fun of her boobies, but let's leave that one alone. In case she's reading. Shout out to Sandi and her boobies!)
Maybe the tattoos are part of some lame midlife crisis. Maybe the desire to publish my book fits in there, too. I'm not getting any younger. And waiting for NYC to validate my existence is not helping the cause. I have to remind myself that this last year in the query trenches has not necessarily been a waste. I started querying a year ago Easter. Easter Sunday, in fact. The first one went out to Daniel Lazar at Writer's House. He answered me back in two hours and asked for the full. He read it, passed on it, told me to rewrite a few things, and then he'd reconsider. So I did just that, but I rushed it. I should've waited a month and brought in more beta readers/critique partners, but I didn't. I was panicking. I gave the MS another go-through, changed a ton of stuff, and then resubmitted. And he shook his head no again. Devastating. I think that one cost me two days hiding under the covers.
Things went on like this for the whole year. Suzie Townsend asked for a full (and I love her, so that was big). Then she said no. It sat at Random House Canada for three months, and I had high hopes because some important decision makers were reading it, one of whom told me that they liked it so far and were going to take it to the editorial committee. Then the rejection came in on December 12, and it stopped my life. Catastrophic is the best way to describe what it did to me. The kids tiptoed around me. Husband made pancakes. My youngest (6) wrote me a note that said I was the "best writer in the whole wide wrold," typo included.
A few other agents have asked for fulls, and partials, but most haven't bothered responding with even a thanks-but-no-thanks, the last of whom was just in February, an agent from Toronto. I was getting better at hearing no--not great at it, but better--when I started to consider the unthinkable: publishing it myself.
I don't know if you guys do this -- tell me if you do so I don't feel like the last kicker to be chosen for the dodgeball team, as per usual -- but writing anything can be very difficult if you slip into the mindset of No one's ever going to read this, so what's the point? My artist friends tell me that you write/paint/sculpt because you have to, because not doing it will eat you alive. Okay, so fine, yeah, writing keeps my Prozac dose lower, but moving forward with a project that is dead in the water? It sucks. NOW I feel energized, like there is something to write for, that I have to finish Book Two (and Three?) because someone might want it. Maybe. The point is, there now exists "hope" where before there was only "no."
I've stopped shopping for that perfect pen to use at book signings, stopped worrying about dyeing those new gray-ish hairs so people won't snicker at me being almost 40, and that energy has been redirected into where it should've been all along: in the words. Oh, and on Twitter.
I won't go on ad nauseum, but the thought of having the work out there is definitely making my ass go funny. And yet, I'm confident that the new contacts, dare I call them friends, I've made in this incredible community of writers and authors will make the transition easier, even if the book tanks.
And that, my friends, is enough to pull any sorry suck outta bed every morning. Now I'm going to go finish this flat diet Coke so I can hack at the word "focus" and send my baby for its day at the formatter. Tweep me: @JennSommersby.
Sunday, March 6, 2011
On reviews, hearing you suck, and falling to Twitter
I'm not afraid of anything.
Okay, I'm lying. I'm a terrible liar. My face gets all blotchy and I can't make eye contact, even though I know people know I'm lying when I blink and look away because in the police academy, they taught us that perps will look away and avoid eye contact when they're lying. Or, they'll blink. A lot. I do that. (Yes, I completed a police academy, albeit a reserve academy, because I'm just that bad ass...here's the part where I don't admit that I got my scrawny ass kicked on a regular basis and talked my then-husband into having a baby so I wouldn't have to become a real cop. Best. Decision. Ever.).
I'm afraid of lots of stuff. Lightning, thunder, spiders, and bridges top the list. Prose constructed minus the use of serial commas. I'm terrified of the dentist, of dying before my kids are old enough to call me for advice about Geritol vs. Centrum Advanced, and of driving off one of Vancouver's many bridges and plummeting into the icy depths (I run survival drills in my head where I successfully roll down all the windows and unbuckle everyone's seat belts before we slam into the wall of water, after which we will all swim to the surface and be rescued by the Coast Guard and/or a boat full of hot fisherman who have cookies for the kids, Irish cream for me).
Now I'm afraid of something new: reviews.
WHAT am I going to do if someone hates this book? Seriously? Husband keeps reminding me that it's definitely going to happen, that someone is going to say something terrible and mean and "she shouldn't quit her day job" because it's impossible to make all of the people happy all of the time and blabbity blah blah. That's why I don't sing in public. I don't want to get shot or have someone turn a fire hose on me because they think I've caught on fire and thus explains the discordant undulation and ear-piercing vibrato.
I come from a long line of oversensitive people. Man, my mom--she's the worst. If you look at her the wrong way, she bursts into tears. She cries when her clients yell at her (Mom's a kick-ass kitchen designer. If you live in Southern California and you're in need of a killer kitchen, she's an uber-designer. Just don't yell at her.) She cries when my 27-year-old sister and I are fighting. She cries at the grocery store if someone tells her a sad story and she only has $5 to give to them for their child's kidney transplant. (She might be a bit of a sucker, too, especially when we see that same fellow behind the 7-Eleven just moments later chugging a bottle of Colt 45.) So I come by this need to people please quite naturally. I want people to like my work. I want folks to feel that they haven't wasted their time, or eventually, their money. And since I'm only allowed to call my shrink twice a week AND I'm out of American Oreos, I need to keep my sensitivities in check.
This sounds stupid to even say out loud. Machiavelli would rip me a new one, tell me how it's never good to let the enemy see your weaknesses and certainly, don't come right out and admit them. (You're not my enemy, though, right?) I mean, duh, we all want other folks to like us and read our work and tell the world of our brilliance. We don't want 2-star reviews (and worse) and snarky comments popping up in the Amazon stream or on Twitter. It's like telling us our children are ugly (which, for the record, mine are not. The last one is sorta funny lookin', but he's wicked smart). The other day saw a fair bit of commentary on blogs and Twitter about how GoodReads has had to change their policy about writers commenting on reviews that may not be as magical as one would hope--but who are these writers who are actually taking the time to go in and refute a review? (It was GoodReads, wasn't it? Correct me if I'm wrong.) If you have time to go in and comment on someone else's comment/review, your time would be better spent learning how to make your writing suck less. YES, I know--this advice from someone who, at this juncture, has received one written review of the novel. (It was a good review, so I can't provide commentary with any weight as to the devastation of hearing I suck. It's going to hurt. Bad. Like a super-heated fork tipped with snake and spider venom, stabbed into an open, infected wound, over which is poured hydrogen peroxide and ammonia. And lemon juice.)
However, if the vomitus from Mean Reviewer Person is riddled with spelling errors and incomplete sentences and sounds like it was written by a 2-year-old or your ex's inbred cousin, then, again, I remind you what my mother often told me growing up: consider the source. Like the time that pesky Andy McCarthy cut in line again on the new slide and stuck his tongue out at me, and after school, I told my mom I was going to call him a fu*ker but instead decided to consider the source. (Maybe I didn't quite grasp the whole concept, but at least I got to say fu*ker at age 8 without the usual soapy snack.) It was very easy for me to criticize painters and paintings until I actually picked up a paint brush for the first time ever. Which I did, about two weeks ago. It was excruciating. See?
The same is true for us. Writing is hard. I could insert some overused quotes here that equate writing to blood draining from arteries, but you get the point. (And thanks, Lauren, at Back to Earth Designs, for being so patient with me while we giggled our way through Tofino's landscape.)
The POINT: It got me to thinking about the whole process of critiquing each other's work. There are a lot of writers who won't review other writers. Again, lots of debate in the blogosphere about why writers reviewing is a bad deal. It's the readers we want to connect with, right? I had someone ask me once, "Why do you care what other writers say about your writing?" Omigod, I SO CARE! But I also care about readers--and THAT is the circuitous way of me saying that I'm freaking out about those first reviews. I think an ulcer has reactivated in my gut. *squirt squirt* 'Scuse me. Gastric juices abound.
We're all people pleasers. That's why we're writers who are grabbing this publishing bull by the testes and saying, "Down, demon! You're mine!" And, unless you're one of those people who really doesn't give a rip about what others say, I'm guessing that I am not alone in this darkened room with my insecurity. There are lots of us here, aren't there? I can hear you breathing...oh, man, I think someone just farted...
This past week, I finally joined the Twittersphere and set to expanding my virtual connections. This exercise has reassured me in one thing: we're all in this together. The gals at DarkSide Publishing have certainly figured this out, as have the collaborators at Independent Author Network, Red Willow Digital Press, and numerous other sites springing up every day, the writers becoming partners in this grand adventure.
Don't believe everything the reviewers are saying (unless they're consistently saying you should take up dog walking as a profession). It would be like being a virginal 17-year-old and believing your boyfriend when he tells you he probably is infertile because he only has one...
Wait. I could be sued for defamation if I finish that sentence.
New friends are so much fun. I had no idea. If you haven't found me on Twitter yet, I'm @JennSommersby.
Time for chocolate!
Okay, I'm lying. I'm a terrible liar. My face gets all blotchy and I can't make eye contact, even though I know people know I'm lying when I blink and look away because in the police academy, they taught us that perps will look away and avoid eye contact when they're lying. Or, they'll blink. A lot. I do that. (Yes, I completed a police academy, albeit a reserve academy, because I'm just that bad ass...here's the part where I don't admit that I got my scrawny ass kicked on a regular basis and talked my then-husband into having a baby so I wouldn't have to become a real cop. Best. Decision. Ever.).
I'm afraid of lots of stuff. Lightning, thunder, spiders, and bridges top the list. Prose constructed minus the use of serial commas. I'm terrified of the dentist, of dying before my kids are old enough to call me for advice about Geritol vs. Centrum Advanced, and of driving off one of Vancouver's many bridges and plummeting into the icy depths (I run survival drills in my head where I successfully roll down all the windows and unbuckle everyone's seat belts before we slam into the wall of water, after which we will all swim to the surface and be rescued by the Coast Guard and/or a boat full of hot fisherman who have cookies for the kids, Irish cream for me).
Now I'm afraid of something new: reviews.
WHAT am I going to do if someone hates this book? Seriously? Husband keeps reminding me that it's definitely going to happen, that someone is going to say something terrible and mean and "she shouldn't quit her day job" because it's impossible to make all of the people happy all of the time and blabbity blah blah. That's why I don't sing in public. I don't want to get shot or have someone turn a fire hose on me because they think I've caught on fire and thus explains the discordant undulation and ear-piercing vibrato.
I come from a long line of oversensitive people. Man, my mom--she's the worst. If you look at her the wrong way, she bursts into tears. She cries when her clients yell at her (Mom's a kick-ass kitchen designer. If you live in Southern California and you're in need of a killer kitchen, she's an uber-designer. Just don't yell at her.) She cries when my 27-year-old sister and I are fighting. She cries at the grocery store if someone tells her a sad story and she only has $5 to give to them for their child's kidney transplant. (She might be a bit of a sucker, too, especially when we see that same fellow behind the 7-Eleven just moments later chugging a bottle of Colt 45.) So I come by this need to people please quite naturally. I want people to like my work. I want folks to feel that they haven't wasted their time, or eventually, their money. And since I'm only allowed to call my shrink twice a week AND I'm out of American Oreos, I need to keep my sensitivities in check.
This sounds stupid to even say out loud. Machiavelli would rip me a new one, tell me how it's never good to let the enemy see your weaknesses and certainly, don't come right out and admit them. (You're not my enemy, though, right?) I mean, duh, we all want other folks to like us and read our work and tell the world of our brilliance. We don't want 2-star reviews (and worse) and snarky comments popping up in the Amazon stream or on Twitter. It's like telling us our children are ugly (which, for the record, mine are not. The last one is sorta funny lookin', but he's wicked smart). The other day saw a fair bit of commentary on blogs and Twitter about how GoodReads has had to change their policy about writers commenting on reviews that may not be as magical as one would hope--but who are these writers who are actually taking the time to go in and refute a review? (It was GoodReads, wasn't it? Correct me if I'm wrong.) If you have time to go in and comment on someone else's comment/review, your time would be better spent learning how to make your writing suck less. YES, I know--this advice from someone who, at this juncture, has received one written review of the novel. (It was a good review, so I can't provide commentary with any weight as to the devastation of hearing I suck. It's going to hurt. Bad. Like a super-heated fork tipped with snake and spider venom, stabbed into an open, infected wound, over which is poured hydrogen peroxide and ammonia. And lemon juice.)
However, if the vomitus from Mean Reviewer Person is riddled with spelling errors and incomplete sentences and sounds like it was written by a 2-year-old or your ex's inbred cousin, then, again, I remind you what my mother often told me growing up: consider the source. Like the time that pesky Andy McCarthy cut in line again on the new slide and stuck his tongue out at me, and after school, I told my mom I was going to call him a fu*ker but instead decided to consider the source. (Maybe I didn't quite grasp the whole concept, but at least I got to say fu*ker at age 8 without the usual soapy snack.) It was very easy for me to criticize painters and paintings until I actually picked up a paint brush for the first time ever. Which I did, about two weeks ago. It was excruciating. See?
The same is true for us. Writing is hard. I could insert some overused quotes here that equate writing to blood draining from arteries, but you get the point. (And thanks, Lauren, at Back to Earth Designs, for being so patient with me while we giggled our way through Tofino's landscape.)
The POINT: It got me to thinking about the whole process of critiquing each other's work. There are a lot of writers who won't review other writers. Again, lots of debate in the blogosphere about why writers reviewing is a bad deal. It's the readers we want to connect with, right? I had someone ask me once, "Why do you care what other writers say about your writing?" Omigod, I SO CARE! But I also care about readers--and THAT is the circuitous way of me saying that I'm freaking out about those first reviews. I think an ulcer has reactivated in my gut. *squirt squirt* 'Scuse me. Gastric juices abound.
We're all people pleasers. That's why we're writers who are grabbing this publishing bull by the testes and saying, "Down, demon! You're mine!" And, unless you're one of those people who really doesn't give a rip about what others say, I'm guessing that I am not alone in this darkened room with my insecurity. There are lots of us here, aren't there? I can hear you breathing...oh, man, I think someone just farted...
This past week, I finally joined the Twittersphere and set to expanding my virtual connections. This exercise has reassured me in one thing: we're all in this together. The gals at DarkSide Publishing have certainly figured this out, as have the collaborators at Independent Author Network, Red Willow Digital Press, and numerous other sites springing up every day, the writers becoming partners in this grand adventure.
Don't believe everything the reviewers are saying (unless they're consistently saying you should take up dog walking as a profession). It would be like being a virginal 17-year-old and believing your boyfriend when he tells you he probably is infertile because he only has one...
Wait. I could be sued for defamation if I finish that sentence.
New friends are so much fun. I had no idea. If you haven't found me on Twitter yet, I'm @JennSommersby.
Time for chocolate!
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